7 ECTS; 1º Ano, Anual, 30,0 PL + 15,0 TP , Cód. 83719.
Lecturer
- João Pedro Freire Fonseca da Luz (1)(2)
(1) Docente Responsável
(2) Docente que lecciona
Prerequisites
N/A
Objectives
A. Know the origin and historical and theoretical evolution of montage
B. Understand montage as an ontological element of cinema
C. Contextualize montage within the film production process
D. Identify and apply principles and conventions of filmic construction
Program
1. The Origin of Cinema and the Evolution of Editing
1.1. Shot
1.2. Cut
1.3. Editing
2. Editing in the Production Process
2.1. Planning
2.2. Post-production
2.3. Director and Editor
3. Horizontality and Verticality in Editing
3.1. Synchrony
3.2. Diachrony
3.3. Flow
4. Theoretical Approaches to Film Editing
4.1. Lev Kuleshov
4.2. Sergei Eisenstein
4.3. Rudolph Arnheim
5. Principles and Conventions of Film Construction
5.1. Shot, Scene, Sequence
5.2. Transitions
5.3. Causality, Continuity, Contiguity
6. Editing and Time
6.1. Suppressed Time
6.2. Past Time
6.3. Future Time
7. Editing and Space
7.1. Three-Dimensionality
7.2. Positioning
7.3. Movement
8. Editing and Music
8.1. Genre Conventions
8.2. Rhythm
8.3. Performance
9. Editing in Documentary
9.1. Factuality
9.2. Planning
9.3. Archive
10. Editing and Experimentation
10.1. Disruption
10.2. Fragmentation
10.3. Style
Evaluation Methodology
Bibliography
- Eisenstein, S. (1977). Film Form - Essays in Film Theory. New York: Harcourt Brace Jovanovich
- Murch, W. (2001). In the blink of an eye - A perspective on film editing. Los Angeles: Silman-James Press
- Pearlman, K. (2009). Cutting Rhythms - Shaping the Film Edit . Burlington: Focal Press
- Reisz, K. e Millar, G. (2010). The Technique of Film Editing. Burlington: Focal Press
Teaching Method
1. Expository method
2. Case studies
3. Exercise production
4. Presentation and analysis of exercises
Software used in class
Quicktime Player
DaVinci Resolve
Internet browser
AI chatbot
